Barn Owl’s 2011 release, Lost In The Glare, was an instant love for me and earned a deep place in my heart with hardly any effort at all. I had been longing to see the Northern California duo since, and during the wait, my expectations had...
In this bi-lingual Japanese and English interview, Jon Barthmus of Sun Airway and Takayuki Nakazawa, art director and designer for Japanese art collective NAM, offer their perspectives on designing an album cover together.
SPECTRAL HYPNOSIS is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This post highlights some reliable folks in the psychedelic rock community, including Portland’s Eternal Tapestry and...
Voyeuristic eyes take one through sexually deviant territories in the Thee Oh Sees‘ “Lupine Dominus” and Kasper Bjørke‘s “Bohemian Soul”. Both music videos contain similar themes and color palettes, but one is...
Whim is a collection of media focused on rock/pop/garage and everything surrounding it. Mellowing things out with recent Domino signee Ducktails and the unpredictably satisfying Levek. SEE: FULL POST + ALL WHIM POSTS + ALL MUSIC COLUMNS ...
IN SHORT: “It’s not your average Black Moth Super Rainbow Album.” In discussing early album reviews for Cobra Juicy, Black Moth Super Rainbow’s de facto leader Tobacco called the album “the 1st bmsr I really got...
SPECTRAL HYPNOSIS is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This post highlights the exciting new project from Tim Hecker & Daniel Lopatin and a track from Seattle’s...
The first annual CounterPoint Music and Arts Festival was held about 20 miles South of Atlanta, GA on a well-established horse farm along the Chattahoochee river. The venue was nestled upon green-topped pastures and surrounded by woodlands and a...
