Ian KingThe presence of a certain amount of retro sensibility on Film's Eclipse is indisputable, in fact embraced, but its initially high level of surface visibility only draws attention from the sum of their process for so long. The Vangelis synths and...
Vee Hua 華婷婷"I'm just trying to access the possibilities of other things, and in the same way that I look at art throughout history and nature for little pieces of those other realms, I'm hoping that I can be a part of that process and for people to get a peek...
"Where we're at right now, it doesn't make sense for us to join a preexisting community or culture that has a set of rules or traditions. That can't happen for us, but we want that -- everyone wants that -- and with this project, we're creating our...
"The urge to reinvent myself is strong, and the big question after London Zoo was, 'Do I want to break away totally from my past, and the albatross of the 'dubstep' label...?' The more I thought about it, the more I realised I had the most respect...
An I Origins film review and interview with director Mike Cahill, intertwined with personal anecdotes and musings on past lives, coincidence, and the ability of art to attract like-minded individuals across distances.
“Music makes sense to me much more than art. It doesn’t make any claims to anything, it just is.” - Sam Songailo
2014's Shrink Dust is VanGaalen's first album in almost exactly three years. Described by its creator as a "sci-fi folk record", it takes the sound of its predecessor from 2011, Diaper Island, and, through the introduction of a pedal steel guitar...
We’ve coincidentally been featuring a string of sci-fi and space-related music videos as of late, but Metronomy’s music video for “I’m Aquarius”, directed by French director Edoud Salier, is definitely the most polished...