Bending Minds With Photographer Rodolphe Simeon

Vivian Hua 華婷婷1 min readAugust 24, 2008Add comment
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Our recent trip to Canada brought with it many, many introductions to talented young artists… one of which was Rodolphe Simeon, who currently resides in Paris. The images shown below are from Simeon’s M-People series, a series which is heavy on makeup, concept, and androgyny — all good things when done correctly. Other galleries on Simeon’s website include a portrait study of street people, women, musicians, and miscellaneous fun characters.

Simeon doesn’t really need our help, as he has been published internationally and domestically in publications such as Esquire and Rolling Stone, but his work is definitely worth taking a look at.

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Vivian Hua 華婷婷

Vivian Hua 華婷婷 (they/she) is a writer, filmmaker, and organizer. As the Executive Director of Northwest Film Forum in Seattle and Editor-in-Chief of the interdisciplinary arts publication, REDEFINE, much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. Vivian regularly shares human-centered stories through their storytelling newsletter, RAMBLIN’ WITH VEE! In 2021, they will begin production on a BIPOC metaphysical comedy film entitled RECKLESS SPIRITS. They are passionate about cultural spaces, sustainable practices, and finding ways to covertly and overtly disrupt oppressive structures. YEAH!

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Beans Film Review: A Mohawk Girl Comes of Age During the 1990 Oka Crisis - READ THE REVIEW by @alison.j.smith: https://bit.ly/redefinebeans⠀ ⠀ Early on in Beans— a coming-of-age film written and directed by Quebec-based Mohawk filmmaker @TraceyDeer — a teenage girl and her mom shimmy under their seatbelts and sing along to Snap!’s “The Power” on their way to a protest. This scene vividly encapsulates the energy in the air during the early days of the 1990 Oka Crisis. Incited by the decision of the Quebec government to allow a golf course to be built on the site of a Mohawk burial ground, the event provides the backdrop for Deer’s propulsive and sensitive film, which follows a thirteen-year-old Mohawk girl named Tekehentahkhwa (Kiawentiio Tarbell), nicknamed Beans, through that tumultuous summer.⠀ ⠀ The contested site, which includes the town of Oka, has traditionally been home to the Mohawk people but lacks the legal status of a reserve. A 90-day struggle, which included numerous blockades of roads as well as racist incidents like the burning of Mohawk effigies by townspeople, ensued.⠀ ⠀ Beans successfully juggles a variety of tones, from playful to jaw-dropping, but never feels like just another textbook history lesson. By giving space to both Beans’ burgeoning social consciousness and occasional adolescent recklessness, the film reinvigorates familiar coming-of-age tropes. In so doing, it reimagines a fascinating episode in Canadian Indigenous history through a thirteen-year-old’s unjaded eyes.⠀ ⠀ READ THE REVIEW.⠀ WATCH THE TRAILER.⠀ http://bit.ly/redefinebeans⠀ ⠀ #SeattleFilm #CanadianFilmmaker #CanadianFilmmakers #IndigenousFilm #IndigenousFilmmakers #MohawkFilmmaker #TraceyDeer #ComingOfAge #ComingOfAgeFilm
Written by Vivian Hua 華婷婷
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