It’s impossible for me to listen to Victorian Halls without drawing some conclusions between them and one of my favorite bands, Neon Blonde — a pretty much defunct side project comprised of former Blood Brothers members, Johnny Whitney...
"It's always been a mix of goofy influences." -- Brian Esser
Last year marked the first year in which we compiled a top five albums of the year, as deemed by nine Redefine staff writers. Remarkably, no albums were doubled up. It proved that Redefine staff writers have diverse tastes, and that their tastes run...
For fans of synthy pop-punk, The Escape Frame is immediately likeable. For me, the aforementioned subgenre is only likeable in small doses. Strangely, however, something about The Escape Frame rubbed me the right way right off the bat. Their sound...
The type of electronic-rock hybrid music Americans seem to lap up these days either take the fairly synth-poppy route of the Presets or the funky house route of Daft Punk and Justice. South Central’s The Owl of Minerva is more for the...
Aesthetically, My Dear Disco’s Dancethink LP seems to harp on every synth-pop cliche that has emerged in the past couple years. They have “Disco” in their name, have “Dance” in their album title, call vocals...
drmanhattan seems to be a perfect blend of humor, wit, and dirty cynicism.
What do you get when you put two overwhelmed magazine staffers, a few hundred bands, a shit ton of industry people, and a gay horse all together? You get Redefine Magazine’s first SxSW adventure! And though the weekend was a hot sweaty blur at...