Top Songs From 2011 : Part One

Vivian Hua 華婷婷4 min readDecember 23, 20112 comments

A staff-compiled list of some of our favorite songs from the year 2011, in no particular order or with allegiance to any particular style.

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A staff-compiled list of some of our favorite songs from the year 2011, in no particular order or with allegiance to any particular style.

Best Of 2011 Year End ListsBest Of 2011 Best AlbumsBest Of 2011 Top SongsBest Of 2011 Album Cover ArtBest Of 2011 Year End Lists

Alex Winston – “Velvet Elvis”

Alex Winston is simply charming in this tune about the late rocker. KATIE

And So I Watch You From Afar – “Think:Breathe:Destroy”

Less post more rock in this instrumental band.
PETER

Battles – “Wall Street”

Battles at its finest is a well tuned bizarro machine of made up noise. No band does it quite like them. PETER
ALBUM OF THE YEAR RUNNER-UP

Bombay Bicycle Club – “Shuffle”

A song to start your morning off. KATIE

DOWNLOAD MP3
Bon Iver – “Holocene”

His voice, especially on this song, is just divine. JUDY ALBUM OF THE YEAR

Burial – “Stolen Dog”

B-side from the “Street Halo” single is a little more adventurous than the title track but keeps his toe firmly dipped in his new minimal house. TROY
TRIP REPORT MIXTAPE


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Chad VanGaalen – “Sara”

This is fairly arbitrarily chosen from a slew of potentially excellent candidates. You should really just listen to the entirety of Diaper Island. VIVIAN
CHAD VANGAALEN INTERVIEW

Childish Gambino – “Bonfire”

Admit. You thought this was early Kanye as well. #savecommunity PETER

Chris Brown – “Look At Me Now” (w/ Lil Wayne, Busta Rhymes)

Man, Busta’s part alone makes this worthy of listing. The beat is also super ridiculously rad. VIVIAN

DOWNLOAD MP3
Cloud Control – “Ghost Story”

Earth-shattering, spirit-dwelling indie folk. VIVIAN


DOWNLOAD MP3
Cults – “Go Outside

Dream pop at its best. KATIE

DOWNLOAD MP3
The Drums – “Money”

These guys are the MOST fun live, and I saw them preview this song a few months ago at a small show. This is the best from the new album. JUDY


DOWNLOAD MP3
Eleanor Friedberger – “My Mistakes”

This song sets the tone for an album full of great songs. It is quite a self-conscious record, and “My Mistakes” sums that up perfectly. JUDY

Frank Ocean – “Novacane”

“Novacane” sucks you in like an opium den. As does this video. VIVIAN

Fucked Up – “Turn The Season”

This song perfectly sums up the sprawl of Fucked Up’s epic album.
PETER
ALBUM OF THE YEAR

Gang Gang Dance – “Chinese High”

This song is a beautiful epic set within an even more epic record. VIVIAN
ALBUM OF THE YEAR

DOWNLOAD MP3
Gardens & Villa – “Black Hills”

What an album opener! This got me hooked on the album almost immediately. JUDY
ALBUM OF THE YEAR
GARDENS & VILLA BAND INTERVIEW

Gillian Welch – “The Way It Goes”

I really really hope it doesn’t take Gillian Welch another seven years to pump out her next album. PETER

Goapele – “Play”

The most interesting R&B song I’ve heard in a long while. I can’t wait for more of this new-school revival. VIVIAN

Griever – “The Forgetter”

Featuring ex-members of the wildly destructive Lewd Acts, Griever shows how great a simple sludgy hardcore song can be. PETER


DOWNLOAD MP3
The Head And the Heart – “Lost In My Mind”

A Seattle native’s theme song. KATIE
THE HEAD AND THE HEART – SELF-TITLED ALBUM REVIEW

James Blake – “The Wilhelm Scream”

The way James Blake builds this song out of nothing into a sonic cresecendo of noise and bass is mesmerizing. PETER
ALBUM OF THE YEAR (x2)
JAMES BLAKE – SELF-TITLED ALBUM REVIEW

Hot Water Music – “The Fire, The Steel, The Tread”

Post-hardcore stalwarts doing it better than everyone else even after a long hiatus. PETER

James Blake & Bon Iver – “Fall Creek Boys Choir”

These two dudes live in the same world of the SADS, so a collaboration like this really just makes too much sense. VIVIAN


DOWNLOAD MP3
Junior Boys – “Itchy Fingers”

“You’ll Improve Me” is actually my first choice for tracks from It’s All True — but “Itchy Fingers” comes close. As with all Junior Boys tracks, subsequent listens will reveal the stuff brewing underneath is way weird. VIVIAN
JUNIOR BOYS BAND INTERVIEW

Kassem Mosse – “A1”

“Ensuality” eh? Robot sex drone from of Cronenberg’s 808 dream book. TROY

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Vivian Hua 華婷婷

Vivian Hua 華婷婷 is a writer, filmmaker, and organizer. As the Executive Director of Northwest Film Forum in Seattle and Editor-in-Chief of the interdisciplinary arts publication, REDEFINE, much of her work unifies her metaphysical interests with her belief that art can positively transform the self and society. She regularly shares human-centered stories through her storytelling newsletter, RAMBLIN’ WITH VEE! In 2020, she will [hopefully] begin production on a comedic Asian-American series entitled Reckless Spirits.

Ask Vivian about MARSHMALLOWS, cuz she's gross... and being tips for being frugal while nomading!

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2011 Songs You Should Know : Part Two - music art film review - REDEFINE magazine
9 years ago

[…] here to cancel reply. Related Posts (YARPP) Top Songs From 2011 : Part OneLAKE – Giving And Receiving Album ReviewYoung Circles – Jungle Habits Album ReviewThe […]

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2011 Year-End List: Album Cover Art - Illustration Painting Drawing - REDEFINE magazine
9 years ago

[…] THE EXTRAS “I created a second painting for the inside that was also used as the cover for the single ‘Calgary’.” RELATED ARTICLES: BON IVER ON ALBUMS OF THE YEAR 2011 + “HOLOCENE” ON TOP SONGS FROM 2011 LIST […]

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“For Housepartysea, we try to represent the underground culture and present it to the masses in a digestible way to later lead them to the real rawness of it all,” says Arel Watson, Founder, Creative Director, and DJ at Housepartysea. “In that alone, I feel like the underground DIY culture is a political movement in itself due to the history of example to house, techno, and punk. It’s Black, it’s powerful, and it all arose during the most intense times in America. We try to emulate that energy by creating a space that embarks culture learnings and the changes we want to see in Seattle. Best way to describe it is by doing it, not just saying what we are doing. Actions speak louder than words.”⠀ ⠀ Photo courtesy of Arel Watson & Housepartysea⠀ ⠀ ///⠀ ⠀ In the long-form feature, "A United Cultural Front: DIY Spaces & Culture Sustain Life Through the Pandemic," DIY organizers and organizations from around the United States share their experiences during and following the 2020 COVID-19 pandemic and racial reckonings of the year, along with how these landmark events forced their already adaptable communities to reassess their values.⠀ ⠀ READ IT ON REDEFINE: http://bit.ly/redefine2021diy⠀ ⠀ Article by Vivian Hua @hellomynameisvee⠀ ⠀ ///⠀ ⠀ * COLLECTIVES *⠀ @babexhouse (Seattle / Detroit)⠀ @housepartysea (Seattle)⠀ PO Box Collective (Chicago)⠀ @toe___jam (Seattle)⠀ TUF (Seattle)⠀ ⠀ * ORGANIZATIONS *⠀ @veraproject (Seattle)⠀ Redfishhbowl (Pittburgh)⠀ Civic Media Center (Gainsville)⠀ ⠀ #DIY #DIYVenue #DIYSpaces #DIYShow #DIYOrganization #DIYVenues #DIYSpace #DIYShows #DIYOrganizations #DIYCollective #DIYParty #DIYParties #DIYCollectives #DIYLife #CollectiveCare #MutualAid #ArelWatson #Housepartysea #Redfishbowl #BabeHouse
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HEAR FOR IT: Pacific Northwest Music Videos takes place at @NWFilmForum in Seattle during Local Sightings Film Festival: bit.ly/locosight2021hear Featuring new Pacific Northwest music videos, stitched together by the human emotions of loneliness, empowerment, breakthroughs and healing. Encompassing hip-hop, R&B, electronic, folk, choral, and numerous other genres, as well as long-form music videos set to a narrative.             Available virtually: Sep. 16–26, 2021 In-person screening at NWFF: Sep. 24 at 7pm PT             * This program is co-presented with @hrvsthouse, @veraproject and @redefinemag *    Featuring works by: - Bukky Sky – "Obsession" - Golda Sargento – "Anino Rebellion" - Nicholas Ogum – "Worthless" - Dolphin Midwives – "Clearing" - Nalimu – "Love in the Time of Corona" - Livt – "SADE TO INFINITY" - Sportstar – "Boots" - Seattle Pro Musica – "My Heart Be Brave" - BOjM – "CHASSÉ CHASSÉ" - Friends of Sage – "Illegal Teenage Montage" - Cody Jordan – "Only Thing Defined" - Golden from the Get Go – "Hey I Know You" - Nic Masangkay – "STAR" - Campana – "Matter of Time"                 GET TICKETS: bit.ly/locosight2021hear *** MAIN IMAGE: Bukky Sky – "Obsession" A singer balances love and heartache in this retro space escapade. (Hajin Yoo, US, 2021, 4 min) #FilmFestivals #SeattleFilm #SeattleFilms #SeattleFilmmaker #NWFF #NWFilmForum #NWFilms #NWFilmmakers #NWFilmmaker #SeattleFilmmakers #NWFilm #PacificNWFilms #FilmEducation #FilmWorkshops #LocalSightings2021 #LocalFilmmakers
In Los Angeles-based musician @patrickshiroishi‘s latest music video for “To Kill a Wind-Up Bird,” excitable free jazz comes face-to-wrinkly-puppet-face with a Looney Tunes-inspired experiment, which sets skronking sounds to mismatched visuals. Sculptor and video artist Dylan Pecora and Shiroishi offer some insight and behind-the-scenes looks into the process in the following music video premiere and interview: https://bit.ly/redefinewindup "It’s a gentle attempt at a Looney Tunes / Carl Stalling type of thing, where we’re getting a 1-to-1 fraudulent representation on screen of the sounds we hear. A tiptoeing porky pig sounds like a xylophone ascending. A puppet shaking an ancient bowl sounds like this." - Dylan Pecora Record out soon via @AmericanDreamsRecords <3 Picture #1: Film still Picture #2: Puppet work-in-progress #AmericanDreamsRecords #PatrickShiroishi #JapaneseAmerican #Hideki #JapaneseAmericanMusician #JapaneseAmericanMusicians #AsianAmericanMusician #AsianAmericanMusicians #FreeJazz #SouthernCaliforniaMusician #SouthernCaliforniaMusicians #DylanPecora #Experimental #LooneyTunes #CarlStalling #Skronking #Puppetry #Sculpture
A United Cultural Front: DIY Spaces & Culture Sustain Life Through the Pandemic ~ READ: bit.ly/redefine2021diy /// Located in major cities, rural areas, and all types of geographies in-between, DIY (Do-It-Yourself) organizers, collectives, and cultural spaces can encompass everything from music venues in dilapidated basements to warehouse art studios or co-op coffee shops. At its best, DIY culture embodies values and actions which prioritize the well-being of the communities that they serve, which often consists of artists on the margins. Among these might be principles of radical care, sharing economics, distributed leadership, anti-capitalist ideals, accessibility, and equity — and when properly enacted, can breed new talent, encourage innovation, and create acceptance for non-dominant populations or artistic practices. DIY can mold and hold generations of artists; yet, despite this, finds itself constantly struggling to survive in a capitalist society. In the following piece, DIY organizers and organizations from around the United States share their experiences during and following the 2020 COVID-19 pandemic and racial reckonings of the year, along with how these landmark events forced their already adaptable communities to reassess their values. JoJo Sacks of @civicmediacenter_ (pictured) in Gainesville, Florida, sums it up nicely, saying, “We exist as countercultural spaces, safer spaces, artistic spaces, and where people seeking community can get together socially. It is with this basis that people can organize together to create a future that builds up community in order to tear down the oppressive structures that make up the current world." Photo by @jordanemazurek /// * COLLECTIVES * @babexhouse (Seattle / Detroit) @housepartysea (Seattle) @poboxcollective (Chicago) @toe___jam (Seattle) TUF (Seattle) * ORGANIZATIONS * @veraproject (Seattle) @redfishbowl (Pittburgh) #DIY #DIYVenue #DIYSpaces #DIYShow #DIYOrganization #DIYVenues #DIYSpace #DIYShows #DIYOrganizations #DIYCollective #DIYParty #DIYParties #DIYCollectives #DIYLife #CollectiveCare #MutualAid
Early on in @WhatWeLeftUnfinished, a new documentary from filmmaker and visual artist Mariam Ghani @mostlywindows -- a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion. It’s the sort of scene one might expect from a Tom Cruise movie — but in fact, this sequence is from Agent, a 1991 Afghan propaganda film. What We Left Unfinished resurrects five unfinished films, Agent included, to tell the gripping tale of Afghanistan’s turbulent political history from 1979-98. Amidst the tumult of that period’s successive coups, revolutions, and invasions, a cadre of filmmakers and actors forged strong relationships and lasting bodies of work. Ghani’s film thrums with genuine affection for these artists, who characterize their films as documentaries, love stories, or tales of redemption, but never mere agitprop. Yet despite an obvious love for its subjects, What We Left Unfinished is ripe with contradiction and paradox, often blurring the lines between fiction, fact, and memory.⠀ ⠀ Ghani expresses the hope that her subjects’ harrowing stories would inspire both empathy and self-reflection. “What I wanted to make was something that’s not just for people interested in Afghanistan but for everyone who’s interested in these questions at the heart of filmmaking and at the heart of art-making,” she explains. “Questions like, ‘What would you do if you found yourself in this situation that these filmmakers found themselves in? What kind of bargains would you make, what kind of compromises would you make, what risks would you take?’ I think those are the questions really at the heart of the film.”⠀ ⠀ ///⠀ ⠀ READ OUR INTERVIEW WITH MARIAM GHANI - What We Left Unfinished Traces the Turbulent History of Afghanistan Through Media" by Alison Smith: https://bit.ly/redefineafghani⠀ ⠀ This film is now screening through @nwfilmforum in Seattle - http://nwfilmforum.org ~⠀ ⠀ #NWFilm #PacificNWFilms #AfghanFilm #AfghanFilms #FilmReview #FilmReviews #AfghanHistory #AfghanPolitics #MariamGhani #WhatWeLeftUnfinished #Afghanistan #Afghan
Early on in @WhatWeLeftUnfinished, a new documentary from filmmaker and visual artist Mariam Ghani @mostlywindows -- a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion. It’s the sort of scene one might expect from a Tom Cruise movie — but in fact, this sequence is from Agent, a 1991 Afghan propaganda film. What We Left Unfinished resurrects five unfinished films, Agent included, to tell the gripping tale of Afghanistan’s turbulent political history from 1979-98. Amidst the tumult of that period’s successive coups, revolutions, and invasions, a cadre of filmmakers and actors forged strong relationships and lasting bodies of work. Ghani’s film thrums with genuine affection for these artists, who characterize their films as documentaries, love stories, or tales of redemption, but never mere agitprop. Yet despite an obvious love for its subjects, What We Left Unfinished is ripe with contradiction and paradox, often blurring the lines between fiction, fact, and memory.⠀ ⠀ Ghani expresses the hope that her subjects’ harrowing stories would inspire both empathy and self-reflection. “What I wanted to make was something that’s not just for people interested in Afghanistan but for everyone who’s interested in these questions at the heart of filmmaking and at the heart of art-making,” she explains. “Questions like, ‘What would you do if you found yourself in this situation that these filmmakers found themselves in? What kind of bargains would you make, what kind of compromises would you make, what risks would you take?’ I think those are the questions really at the heart of the film.”⠀ ⠀ ///⠀ ⠀ READ OUR INTERVIEW WITH MARIAM GHANI - What We Left Unfinished Traces the Turbulent History of Afghanistan Through Media" by Alison Smith: https://bit.ly/redefineafghani⠀ ⠀ This film will be screening soon through @nwfilmforum ~⠀ ⠀ #NWFilm #PacificNWFilms #AfghanFilm #AfghanFilms #FilmReview #FilmReviews #AfghanHistory #AfghanPolitics #MariamGhani #WhatWeLeftUnfinished #Afghanistan #Afghan
Early on in @WhatWeLeftUnfinished, a new documentary from filmmaker and visual artist Mariam Ghani mostlywindows -- a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion. It’s the sort of scene one might expect from a Tom Cruise movie — but in fact, this sequence is from Agent, a 1991 Afghan propaganda film. What We Left Unfinished resurrects five unfinished films, Agent included, to tell the gripping tale of Afghanistan’s turbulent political history from 1979-98. Amidst the tumult of that period’s successive coups, revolutions, and invasions, a cadre of filmmakers and actors forged strong relationships and lasting bodies of work. Ghani’s film thrums with genuine affection for these artists, who characterize their films as documentaries, love stories, or tales of redemption, but never mere agitprop. Yet despite an obvious love for its subjects, What We Left Unfinished is ripe with contradiction and paradox, often blurring the lines between fiction, fact, and memory.⠀ ⠀ Ghani expresses the hope that her subjects’ harrowing stories would inspire both empathy and self-reflection. “What I wanted to make was something that’s not just for people interested in Afghanistan but for everyone who’s interested in these questions at the heart of filmmaking and at the heart of art-making,” she explains. “Questions like, ‘What would you do if you found yourself in this situation that these filmmakers found themselves in? What kind of bargains would you make, what kind of compromises would you make, what risks would you take?’ I think those are the questions really at the heart of the film.”⠀ ⠀ ///⠀ ⠀ READ OUR INTERVIEW WITH MARIAM GHANI - What We Left Unfinished Traces the Turbulent History of Afghanistan Through Media" by Alison Smith: https://bit.ly/redefineafghani⠀ ⠀ This film will be screening soon through @nwfilmforum ~⠀ ⠀ #NWFilm #PacificNWFilms #AfghanFilm #AfghanFilms #FilmReview #FilmReviews #AfghanHistory #AfghanPolitics #MariamGhani #WhatWeLeftUnfinished #Afghanistan #Afghan
Thrilled today to share with you an interview with filmmakers and visual artist @kolbyrowland -- whose new debut feature film CITY BY THE SOUND is what he describes as “the end result of years of daydreaming about making a movie about Seattle that isn’t such a normative film." READ THE FULL INTERVIEW: bit.ly/redefinecitysound /// Fascinating in its unconventional narrative structure and deeply personal to Rowland, City by the Sound loosely connects vignettes in a way that renders the film itself a daydream, largely driven more by emotions and visuals than clear directives. Edited by Rowland himself and with sound design that gives the visuals ample room to unfold expansively, City by the Sound speaks through “approachable abstraction,” a term the filmmaker began using years ago, while he was getting his BFA in New Genres at the San Francisco Art Institute. Without being told exactly how or what to think, viewers are guided along through the power of suggestion, as the film mixes stories about mythology with lush naturalistic visuals and characters who feel as much fiction as they are real. “Ironically, [Seattle] is a very photographed city, but I think it is still a very misunderstood city, just visually and also culturally…” Rowland shares. “Some things in the movie were just dreams coming true — finally making these images that have been with me for so long that I thought would really represent the more underlying energies and spirits of this city, better than I’ve seen in the past. Other images just come from being present in any given moment, and being present enough to notice, ‘Whoa, this is aesthetically or conceptually a really loaded situation.'” /// Watch City by the Sound at @nwfilmforum during Local Sightings between September 16-26 virtually with in-person on the 25th @ 8pm: localsightings.org for details. /// #SeattleFilm #SeattleFilms #SeattleFilmmaker #SeattleFilmmakers #NWFilm #PacificNWFilms #PortlandFilm #PortlandFilms #PortlandFilmmaker #PortlandFilmmakers #PacificNWFilmmaker #PacificNWFilmmakers
FUGETSU-DO by Kaia Rose, United States, 2021, Documentary ~ Seamlessly blending the multigenerational tale of a family-run confectionary store with the cruel history of Japanese internment within the United States, Fugetsu-Do celebrates the art of making mochi, with equal parts respect for the past and hope for the future. Read all short film recommendations from ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL: https://bit.ly/redefine2021aaiff ⠀⠀ ///⠀ ⠀⠀⠀⠀⠀ This short film is one of our TOP PICKS from the 44th Annual Asian American International Film Festival hosted by @AsianCinevision in NYC ~ See them all: https://bit.ly/redefine2021aaiff⠀ ⠀⠀⠀⠀ Proudly known as “The First Home to Asian American Cinema, the New York-based Asian American International Film Festival (AAIFF) entered its 44th year in 2021. Running from August 11 to 22, the festival was presented with a hybrid in-person and virtual model, which allowed for the many colors of Asian American and Pacific Islander voices to be elevated and seen across the country. Below is a quicklist of the best shorts of the festival, spanning a variety of identities, themes, and artistic styles.⠀ ⠀⠀⠀⠀⠀ #NWFF #NWFilmForum #NWFilms #NWFilmmakers #NWFilmmaker #NWFilm #PacificNWFilms #FilmEducation #FilmWorkshop #PacificNWFilmmaker #PacificNWFilmmakers #APIFilm #AAPIFilm #AAPIFilms #APIFilms #AAIFF #AsianAmericanFilm #AsianAmericanFilms #TransFilm #TransFilms #LGBTQFilm #LGBTQFilms #QueerCinema #QueerFilm #QueerFilm#LittleTokyo #LittleTokyoLA @_kaia.rose_ @fugetsudo @golittletokyo
Anything for You Matt Ferrucci, United States, 2021, Narrative (“Not on Your Terms” Queer Short Film Program) When the main character says, “It wouldn’t be cheating, it would be experimenting,” his sentiment summarizes everything about Anything for You, a comedic short featuring two best friends who might go to any lengths… Read all short film recommendations from ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL: https://bit.ly/redefine2021aaiff ⠀⠀ ///⠀ ⠀⠀⠀⠀⠀ Thi⁰s short film is one of our TOP PICKS from the 44th Annual Asian American International Film Festival hosted by @AsianCinevision in NYC ~ See them all: https://bit.ly/redefine2021aaiff⠀ ⠀⠀⠀⠀ Proudly known as “The First Home to Asian American Cinema, the New York-based Asian American International Film Festival (AAIFF) entered its 44th year in 2021. Running from August 11 to 22, the festival was presented with a hybrid in-person and virtual model, which allowed for the many colors of Asian American and Pacific Islander voices to be elevated and seen across the country. Below is a quicklist of the best shorts of the festival, spanning a variety of identities, themes, and artistic styles.⠀ ⠀⠀⠀⠀⠀ #NWFF #NWFilmForum #NWFilms #NWFilmmakers #NWFilmmaker #NWFilm #PacificNWFilms #FilmEducation #FilmWorkshop #PacificNWFilmmaker #PacificNWFilmmakers #APIFilm #AAPIFilm #AAPIFilms #APIFilms #AAIFF #AsianAmericanFilm #AsianAmericanFilms #TransFilm #TransFilms #LGBTQFilm #LGBTQFilms #QueerCinema #QueerFilm #QueerFilms @alainuy @matt_ferrucci @sunkrishbala
God’s Daughter Dances (신의 딸은 춤을 춘다) * Sungbin Byun, Unites States, 2021, Narrative (“Not on Your Terms” Queer Short Film Program) A vibrant drama set in South Korea, God’s Daughter Dances (신의 딸은 춤을 춘다) follows a transgender dancer as she tries to navigates the country’s mandatory requirement for men to be enlisted into military service. She stands strong in her womanhood regardless — going to epic proportions to fight against a bureaucracy which fails to understand her gender. Read all short film recommendations from ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL: https://bit.ly/redefine2021aaiff ⠀⠀ ///⠀ ⠀⠀⠀⠀⠀ Thi⁰s short film is one of our TOP PICKS from the 44th Annual Asian American International Film Festival hosted by @AsianCinevision in NYC ~ See them all: https://bit.ly/redefine2021aaiff⠀ ⠀⠀⠀⠀ Proudly known as “The First Home to Asian American Cinema, the New York-based Asian American International Film Festival (AAIFF) entered its 44th year in 2021. Running from August 11 to 22, the festival was presented with a hybrid in-person and virtual model, which allowed for the many colors of Asian American and Pacific Islander voices to be elevated and seen across the country. Below is a quicklist of the best shorts of the festival, spanning a variety of identities, themes, and artistic styles.⠀ ⠀⠀⠀⠀⠀ #NWFF #NWFilmForum #NWFilms #NWFilmmakers #NWFilmmaker #NWFilm #PacificNWFilms #FilmEducation #FilmWorkshop #PacificNWFilmmaker #PacificNWFilmmakers #APIFilm #AAPIFilm #AAPIFilms #APIFilms #AAIFF #AsianAmericanFilm #AsianAmericanFilms #TransFilm #TransFilms #LGBTQFilm #LGBTQFilms #QueerCinema #QueerFilm #QueerFilms
Written by Vivian Hua 華婷婷
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2011 Year-End Respect For Album Cover Art
Top Songs From 2011 : Part Two
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